Showing posts with label natasha sanchez. Show all posts
Showing posts with label natasha sanchez. Show all posts

Tuesday, April 12, 2016

Ushering in a new World Tour era - in Welcome, Louisiana



The World is only as large or as small as we want it to be - 'tis a lasting premise of the World Tour, which began in July 2011.  After visiting over twenty enchanting locales all over the world (all conveniently located within Louisiana), the State of My World proved to be much larger than I ever envisioned.  I have had the good fortune to share my experiences with others through my blog, photo exhibitions and in performance with my one woman show, Louisiana: The State of My World, which was most recently produced in Hammond, Louisiana (once part of the British Territory of West Florida). To accompany the performance and to bookend the last 5 years of my ever-changing, never-changing, life-changing World Tour, I created the World Tour songbook featuring photographs and lyrics to 7 of my World Tour adventure tunes.  You can peruse/purchase on blurb.com or  wait for the State of My World tour bus to arrive in your hometown (teehee) as I am currently retooling the performance piece and will soon be searching for exciting new venues to share my world.


But alas, for every ending there is a  beginning so in 2016 - it is time to begin anew.  I am embarking on a new World Tour expedition!  I'll explore familiar areas but with a new angle - said angle will be revealed once I actually go somewhere - but for now I thought it apropos to welcome in this new endeavor by visiting Welcome, LA.

Welcome, Louisiana


Welcome is located on the West Bank of the Mighty Mississippi. As per World Tour protocol, one of my favorite parts of my trip to Welcome was the journey itself. I was stuck in swampy traffic for an hour, but I took the opportunity to write a song that I'd been meaning to write and the sights were a delight.

Waiting for Traffic

Crawfish Season! 

In Welcome I discovered fields of sugar cane, wildflowers and long endless roads.

Sugar Cane

Wildflowers

Long Endless Road

The Inner Geographer in me noted that Rome(ville) was just across the river from Welcome, so off I went..

The Bridge to Rome(ville)


However, the Inner Geographer in me didn't complete any postgraduate academic work so had a heck of a time trying to find Rome(ville). The tomatos really should have tipped me off..


Again, true to World Tour form, there were signs to let me know I was on the right track.


St Mary's Chapel    Convent, Louisiana


And then I found the sign:

Romeville

Roman Road

Almost perfectly framed tree

I left the area feeling quite content


and ready to start a new chapter of the World Tour, 


exploring the World we live in.

Welcome Wildflowers

Til next time....

all content (c) Natasha Sanchez


Wednesday, June 24, 2015

Cats Claw - The Positives, The Negatives & The Biscuits

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I’ve always loved cat’s claw.



 A vine known in these parts more as an invasive and pesky weed  than a medicinal herb with healing properties, cat’s claw is by far one of my favorite lumen print subjects. Its claw-like tendrils never fail to fascinate me.  Even when entwined with every object in sight.  The prevalence of it in my world led me to start creating lumen prints from it early on. 

Cats Claw & Vine, Crescent City Illumenations 


Oddly enough, it turns out that my actual cats claws have the same healing affect.Who woulda thunk?


Rhoda

  As many in my inner circle know, and by inner circle I mean - Facebook,  Rhoda left this world last month after a short battle with cancer. She leaves behind nearly 15 years of loving, fun and adventurous memories, tons of photos and her presence will always be felt .

She also left behind some of her cat claws.

Rhodas Claws found about the house


It dawned on me after this posthumous find, that with its regenerative properties, a cats claw makes a purrrfect lumen subject.  After all, I’m always searching for fallen flowers and leaves (and the occasional bug)  to give them new life via a lumen print. Plus I like to match.  Cats claw, the vine, is one of my favorite lumen print subjects.  Rhoda's my favorite photo subject.  Why not combine the two?

Due to claws being So Tiny (despite the scratches & scars),  and in keeping with the circumstances of this new lumen extravaganza, I decided to create a Positive from a Negative, and print these claws on film as lumen negatives.  So now the claws can appear larger than life (which is more accurate as to  how they feel). 

Rhoda Moon

Cats Claw & a Cats Claw

Biscuits & Claws
So, while Rhoda is not around to make biscuits anymore , her claws live on in a slightly less painful way.  
And I'm okay with that.  

Thanks for the inspiration, Rho.
Rest in peace. 

Me & Rho


Rhoda Sanchez
November 2000-May 2015




all content (c) Natasha Sanchez

www.nattie-concepts.com

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Thursday, March 12, 2015

Lumen Print Workshop March 21st in Covington


On Saturday, March 21st, in conjunction with STAA's Antiquarian exhibit celebrating 19th photography, I’ll be conducting a Lumen Print workshop at the St. Tammany Art Association in Covington. 
Lumen Printing is one of the earliest photographic processes. Using only sunlight to imprint an image on to paper, it goes through one chemical bath to reduce light sensitivity. 

Clover, Stem & Stars
(c) N. Sanchez


There are many reasons why I love the lumen print process – the uniqueness and surprise of the final print, the colors, the nostalgic and sometimes dreamy look, the process of monitoring the sunlight itself.  Yet what I love MOST about lumen prints is – the authenticity.  It is simply an imprint of What Is. It is a record of our world.
Elephant Ear
(c) N. Sanchez



But just like in “camera photography”, where our perspectives can shape our world-view, the same holds true for lumen printing.  Creating with shapes and objects to tell a story or create a feel makes the prints become more personal.  It is both a record of the world – as is – and an expression of how we choose to see the world. 

Like with Termites.  

Tiny Termite.
(c) N. Sanchez

Or maybe it's just a purty picture on the wall.  
Camellia
(c) N. Sanchez


Either way,  Lumen Printing a fun creative process with limitless possibilities. 

Starry Butterfly
(c) N. Sanchez
Join me on March 21st from 11-3pm  to explore those possibilities and welcome in the Spring - a great season for lumen printing! (We'll also discuss the effect of the seasons on lumen printing, among other things like paper types, emulsions, sunny days, cloudy days, and more..)  This workshop is open to the public. All materials will be provided,  though participants are encouraged to bring personal items of their own if they wish.  

To register, click the link below to download the registration form:


Lumen Print Workshop
Instructor: Natasha Sanchez
March 21st, 2015
11-3pm

St. Tammany Art Association
320 N. Columbia
Covington, LA

For more of my lumen prints, including fLight -my latest series of feathers, 
visit my online galleries:

Happy Almost Spring!


all content (c) Natasha Sanchez







Thursday, December 19, 2013

An Accidental EP

I didnt mean to record an EP this past summer, much less release it in the fall, but alas, 'tis what I did.  An Accidental EP is an odd collection of songs recorded accidentally last July.  A fancy demo, if you will.



Accidental:  happening by chance; unintentionally or unexpectedly.  

As it turns out, Accidental also means this:  

Accidental:  (in music) a sign denoting a momentary departure from the key signature by raising or lowering a note.  (sharps & flats)

I didn't know accidental was a music term, what with my limited musical prowess, until after I pressed the CD. So the naming of the EP was truly... an accident. HAHA

How this whole accidental journey got started was this :   Concrete Tables & Honest Conversation.

Concrete Camellia
Lumen Print 2013


Concrete Tables and Honest Conversation is my attempt at capturing a dream I recently had. Sitting in a church courtyard, somewhere out west as the sun went down, talking music, art, photography with a friend I hadn't seen in years. It felt so real, so true.  It's rare that I write about something as abstract as a dream. Wait, that's not true. My ditty "Pretty Little Rat"  is based on dreams I was having about rats.  But I Digress - back to the Concrete Tables.
This dream, though, was different. The vibe of the dream was the essence. The vibe was what was so real, so .. concrete.  It made me wonder what life would be like if we all just walked around having honest conversations with ourselves, with others.  World Peace/Global Harmony anyone?  A seemingly simple solution to ...anything, me thinks.  Anyway,  I did something I had never done before -  after spending a weekend holed up in my apartment writing and re-writing the verses, I brought the song with its 5 verses and 3 lil chords to the uber talented Gardenia Moon,
whose piano, coupled with her background vocals, magically merged the dreamstate with the real world, capturing exactly the sentiment I so strongly felt in that dream. That sentiment of truth is something I strive for in real life.  Well. Strive for or long for.  One of those.

Gardenia Moon at Blue Velvet Studios

Blue Velvet Studios


What does this have to do with other songs on the EP about White Bread and Miller High Lifes?  A lot.  Kinda.
We actually recorded Concrete on two separate days.  We have many versions of it, some more polished than others. I ultimately went with what I think was Take 2 on Day 2.  It was a little rougher, an element that I liked, mixing in the concrete truth with the dreamyness of Gardenias vocals and piano.

On Day Two we also recorded Zen Lizards, another recent song, about my many encounters with Lizards and how Buddhist-like they seem. Another song wishing for peace. Through lizards.. Gardenia contributed piano as well and we consider the tune to be "spunky".  Just like all dem chill lizards.


Zen Lizard
2013
In between tunes with the Moon, I recorded a few ditties on my own. Wasn't sure why, just to see how they sound, or maybe use for an upcoming (who knows when) "box set" of Nattie's Witty Ditties & Story Tunes.  One of those tunes is called My Big Head


Accidental Omnipotent Selfie
2013



My Big Head was a literal inspiration.  In 2011,  I was sitting in the hair/makeup chair getting fitted for a wig for a photo double role. The hairdressers were none too happy that my head was too big for the wig, the actress' head was smaller. As they were griping about the size of my head behind my back, I was writing this song in my head. And the irony was not lost.
This song, though, is largely a social commentary - it would be nice to live in a world where size does matter, the size of our hearts, our intellect, our mental capacity to think, care, and love.  Not our dress size.

Searching for a Tall Boy (The Miller High Life Song) 


Handtinted Tall Boy
2009


Okay, well, this one's just a ditty.  In nearly every song I write I can tell you the deeper meaning behind it. But not this one.  Its just funny wordplay.  Searching for a Tall Boy tells the tale of my quest for a Miller High Life Tall Boy one hot summer night. And it discloses my desire to be the Miller High Life girl sitting in the moon.


And that brings us to...White Bread.  

White Bread with Crumbs
2013


 Like Searching for a Tall Boy, White Bread is seemingly just a ditty.  Or is it?  (Yes. It is.) haha.  Its a tale of of shock, disappointment, and ultimately, acceptance - about bread. hahahaha. But I closed the EP out with this ditty because it seemed to match Zen Lizards - choosing whether or not to solve or accept a problem. Okay, so in this song its kind of forced acceptance that I'm not happy about but hey - thats Life!  And its funny, so there.  We gotta live it, might as well laugh and love it.  :)

This EP may have been 'an accident', but the constant quest for a concrete table and an honest conversation is intentional.   To that effect - Thanks to all who helped me make this accidental journey a deliberate EP - Gardenia Moon, Monica Byrne, Chris Loomis, and of course Tom Stern at Blue Velvet Studios in New Orleans, whom I recommend to Everyone.  :)

I'd also like to send a shout out and thanks to some peeps who accidentally played an integral part in this deliberation:

A conversation I had with one of my favorite songwriters, my amazingly talented uncle,  Paul Sanchez,  about the release of his first solo CD prompted the notion in my head "I could do this" and I soon got to work on releasing the EP.

A misunderstood conversation with another fave songwriter, my friend Richard Bates, led to the title being called an "An Accidental EP" instead of "An Eclectic EP"

And many conversations on the nuts and bolts of self-producing with yes, another favorite songwriter, Ruby Ross, kept me on track with the production of this EP.

Apparently I hang out with a lot of songwriters.  Check 'em out.

The EP is available on my Bandcamp site as a digital download, or you can order the real-live EP and I'll ship it out to you.

www.nattieconcepts.bandcamp.com


Its also available online or in store at Louisiana Music Factory

And of course, will be available at any of my gigs, provided I remember to bring them.
Tonight 12/19/2013 I will be at the Neutralground Coffeeshouse 8-9pm

Hope you enjoy! And thats the honest truth :)
- Natasha

Fun Fact:  A live recording of Zen Lizards also appears on Buffas Bar & Restaurant's new CD "Live from the Back Room" also available at Louisiana Music Factory.